sam bahadur movie
Sam Bahadur movie review: Meghna Gulzar’s most recent film tries to depict Field Marshal Sam Manekshaw in a nuanced way, but it falls short. The film has a lot of potential because of its solid foundation, which includes Vicky Kaushal’s outstanding performances in patriotic roles in “Uri: The Surgical Strike” (2019) and “Sardar Udham” (2021) and Gulzar’s successful directing track record with films like “Talvar” (2015) and “Raazi” (2018).
The whole time you’re watching, you’re waiting for that one spectacular cinematic moment. “Sam Bahadur”‘s ultimate goal is still unclear, despite the joint efforts of writer Bhavani Iyer and director Meghna Gulzar to elicit engagement and laughter. When you walk out of the theater, it feels like you’ve just relived the yearly internet homage to the legendary military man known as Manekshaw. Manekshaw is best known for his handlebar mustache, his ability to blend humor and battlefield wisdom, and his nine gunshot wounds survived during World War II.
Because of their episodic format, accuracy requirements, and runtime constraints, biopics frequently face difficulties. These movies work or fail based on where and how they place the main conflict. The main point of “Oppenheimer,” which came out earlier this year, was the protagonist’s security clearance being revoked. By contrast, “Sam Bahadur” chooses a narrative approach that is simple and avoids fancy storytelling devices, tangents, or a critical analysis of Manekshaw’s recent portrayal as the quintessential sigma male. The film becomes an unintentional hagiography as a result of its unwavering dedication to portraying Manekshaw’s legend on screen.
Remarkably, Mohd Zeeshan Ayyub’s portrayal of Manekshaw’s Pakistani counterpart, Yahya Khan, is given a more nuanced portrayal. But be aware that the aging prosthetics and makeup in this portrayal can be a bit distracting.
“Sam Bahadur” ultimately fails to go beyond the confines of the biopic genre. Despite having a strong cast and a director with experience, the movie falls short of providing a novel interpretation of Manekshaw’s life. The lack of creative storytelling gives viewers the impression that they have watched a movie adaptation that is very similar to the well-worn stories they have read about in internet articles.
In conclusion, despite its potential, “Sam Bahadur” might not distinguish itself as a ground-breaking biopic. A more in-depth examination of this iconic figure is lost due to the film’s commitment to presenting Manekshaw’s life without addressing the complexity of his persona.
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